![]() ![]() ![]() This pedal provides a true, all-analog signal path. Having three separate level controls, the channels were simple to balance and we were able to volume match in no time. Yes, the pedal is plug and play if that’s how you choose to operate. We got a lot more out of the pedal tonally after we understood what we were doing. Not reading the manual was to our detriment, however. Connecting inputs and outputs, we had sound instantly. We plugged the pedal in and it lit right up. There is no battery option so we used one of many pedalboard power supplies we had on hand. The metal housing and many toggles, knobs, and buttons feels solid and well built, and hooking up the pedal is straightforward. This enables you to use a looper to assign channel switching. Lastly, just to show KSR thought of everything, we must mention the external control TRS jack (1/8”) on the back of the pedal. This is both functional and aesthetically pleasing. A pretty awesome feature is the large KSR logo glows either blue for rhythm or white for lead. The two buttons appearing in the bottom corners of the pedal are the Bypass and Rhythm/Lead toggle buttons. Being able to set these independently per channel is a fantastic feature and could easily not have been the case in order to save cost. Mode offers Ares Crunch, Artemis Red, or Colossus Red inspired channels from KSR’s boutique amp line. Feel gives us Fat, Tight or Thick options. Staggered in between the two rows of knobs are a two-way Bright toggle along with Feel and Mode three-way toggles. The gain and EQ controls are self explanatory. They appear identical although sound slightly different, dedicated to crunch and lead duties, respectively. Moving on, we find in the center and bottom row of switches and knobs the two distortion channels. If you desire more tone shaping than this, you’ll need further processing down stream. The channel consists of two knobs, offering only tone and level. The clean channel is designed to be a pristine clean. The top position is clean bypass, which is the only way to bring the clean channel of this pedal into play. ![]() The down position is buffered bypass, which helps get the signal as intended to the next pedal in line and possibly to a clean amp. The center position is true bypass, taking your signal from input to output and not touching it. It appears on the upper left corner of the pedal and is a three-way toggle. Didn’t read the manual? Some of what you need to know is right there for you.īefore getting to the good stuff, we’d like to talk about the bypass mode toggle. The unit will simply shut down to prevent damage, a useful feature we’d love to see in more manufacturers pedals.Ī very nifty feature which comes in handy for the plug and play crowd is a printed schematic on the bottom of the pedal for key functions, most relating to the toggles on the pedal. Interestingly, the pedal will not short if it inadvertently receives over 9.7V. A 9V center negative, 6mm barrel power connector jack is placed between the audio jacks. Having a fair footprint of 5.75”x 4.75”, it takes up roughly the same space as a BOSS Twin pedal on our board.Ī quarter-inch mono input and output are placed conveniently on the rear of the pedal. Each of its three channels are fully independent in their sound shaping. The made-in-USA Ceres 3 Channel Preamp is true to its name. There are many ways to use this preamp pedal, all with great results. Cincinnati-based amp guru Kyle Rhodes is no stranger to great tone, and his attempt at capturing some of the magic of his widely respected boutique amp line in a compact form comes through beautifully. KSR enters the arena with not a bang, but a full-on bomb drop, with their new three-channel marvel, the Ceres preamp pedal. guitar preamps at a ratio of about 10:1, there are still a ton of options for the guitarist who wants their pedal-based analog tone generated from the floor and amplified somewhere down the signal chain. Although the market seems to offer bass preamps vs. Categoryģ.6 stars or better: Outstanding, WIHO AwardĢ stars or better: Suited to specific needsīut guitar preamps in pedal form have made a bit of a resurgence. These were once mainstays on the guitar tone landscape and seem to have fallen out of favor in place of tube combos, half stacks or digital modeling rigs. Yesteryear’s preamps typically consisted of one rack space (or more) legendary gear such as the ADA MP1, Marshall JMP1, Mesa Boogie Triaxis, and many others. Between “real” amps, modeled amps, profiled amps, and studio plug-ins, an often overlooked and seemingly dated signal chain is the separate pre and power amp configuration. With so many ways to get a great guitar sound in 2019, a serious guitar player can go crazy over the multitude of avenues he or she can utilize in amplifying their guitar signals. ![]()
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